parksummerjimin@gmail.com
jp3022@columbia.edu

Summer Jimin Park (@crakti)
b. 1995 | lives, studies, and writes in New York City
๐ŸŽ“ B.A. Art History | Georgetown University โ€˜17
๐ŸŽ“ M.A. Modern and Contemporary Art: Critical and Curatorial Studies | Columbia University โ€˜26

Iโ€™m a writer, art enthusiast, and aspiring art historian (still very much a work in progress!), and a recent graduate of the Modern and Contemporary Art: Critical and Curatorial Studies program at Columbia University. As the 2025-26 MODA Curates Fellow, I curated Skins, Not Our Own at the Wallach Art Gallery in Spring 2026, featuring works by Heidi Bucher, Rebecca Horn, and Kimsooja.

I am interested in and passionate about encouraging others to discover the world through the unique vision of each artist: how they depict a certain motif, event, or person; how they give voice to unheard communities and illuminate forgotten histories; how they confess and heal personal traumas and insecurities; and how they address the paradoxes inherent in society at large.


My writing has appeared in publications including W Korea and Marie Claire Korea. Prior to graduate school, I worked as Associate Director of Public Relations at Kukje Gallery in Seoul from 2020 to 2024.

๋ฐ•์ง€๋ฏผ(@crakti)
b. 1995
๐ŸŽ“ B.A. ๋ฏธ์ˆ ์‚ฌ | ์กฐ์ง€ํƒ€์šด ๋Œ€ํ•™๊ต 2017๋…„ ์กธ์—…
๐ŸŽ“ M.A. ๊ทผํ˜„๋Œ€ ๋ฏธ์ˆ : ๋น„ํ‰ ๋ฐ ํ๋ ˆํ† ๋ฆฌ์–ผ ์—ฐ๊ตฌ | ์ปฌ๋Ÿผ๋น„์•„ ๋Œ€ํ•™๊ต (2026๋…„ ์กธ์—… ์˜ˆ์ •)

์ €๋Š” ์„ธ๊ณ„ ๊ฐ์ง€๋ฅผ ๋ถ€์ง€๋Ÿฐํžˆ ๋Œ์•„๋‹ค๋‹ˆ๋Š” ๊ด€๋žŒ๊ฐ์ด์ž, ์ œ๊ฐ€ ๋ณด๊ณ  ๋А๋‚€ ๊ฒƒ์„ ๋Œ€์ค‘์—๊ฒŒ ๊ณต์œ ํ•˜๋Š” ์ธํ„ฐ๋„ท ์œ ์ €, ๊ทธ๋ฆฌ๊ณ  ํ•ญ์ƒ ๋ฌด์–ธ๊ฐ€๋ฅผ ๋ฐฐ์šฐ๊ณ  ์žˆ๋Š” ๋ฏธ์ˆ ์‚ฌํ•™๋„์ž…๋‹ˆ๋‹ค.

2022๋…„, ๋ฏธ์ˆ ๊ณผ ๋Œ€์ค‘์„ ์—ฐ๊ฒฐํ•˜๋Š” ์ผ์— ์žฌ๋ฏธ๋ฅผ ๋А๊ปด ์ „์‹œ ์†Œ์‹์„ ๊ณต์œ ํ•˜๋Š” ์ธ์Šคํƒ€๊ทธ๋žจ ๊ณ„์ • @crakti๋ฅผ ์ทจ๋ฏธ๋กœ ์šด์˜ํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค. ์ €๋Š” ์‹œ๋Œ€์™€ ์‚ฌ์กฐ๋ฅผ ๋ถˆ๋ฌธํ•˜๊ณ  ๊ฐ ๋ฏธ์ˆ ๊ฐ€๊ฐ€ ๋ฐ”๋ผ๋ณธ ์„ธ์ƒ์„ ๋Œ€์ค‘์ด ๋” ์ž์„ธํžˆ ๋“ค์—ฌ๋‹ค๋ณด๊ฒŒ๋” ๋…๋ คํ•˜๋Š”๋ฐ ๊ด€์‹ฌ๊ณผ ์—ด์ •์ด ์žˆ์Šต๋‹ˆ๋‹ค. ์ด์—” ๊ฐ ๋ฏธ์ˆ ๊ฐ€๊ฐ€ ํŠน์ • ์ฃผ์ œ๋‚˜ ์‚ฌ๊ฑด์„ ๋ฌ˜์‚ฌํ•˜๊ณ , ์†Œ์™ธ๋œ ๊ณต๋™์ฒด์˜ ๋ชฉ์†Œ๋ฆฌ์™€ ์žŠํžŒ ์—ญ์‚ฌ๋ฅผ ์กฐ๋ช…ํ•˜๋ฉฐ, ๊ฐœ์ธ์ ์ธ ํŠธ๋ผ์šฐ๋งˆ์™€ ๋ถˆ์•ˆ์„ ๊ณ ๋ฐฑํ•˜๊ณ , ์‚ฌํšŒ ์ „๋ฐ˜์— ๋‚ด์žฌํ•œ ๋ชจ์ˆœ์„ ๋“œ๋Ÿฌ๋‚ด๋Š” ๋ฐฉ์‹์ด ๋ชจ๋‘ ํ•ด๋‹น๋ฉ๋‹ˆ๋‹ค.

์ง€๋‚œ 2020๋…„๋ถ€ํ„ฐ 2024๋…„๊นŒ์ง€๋Š” ๊ตญ์ œ๊ฐค๋Ÿฌ๋ฆฌ ํ™๋ณดํŒ€์˜ ์–ด์†Œ์‹œ์—์ดํŠธ ๋””๋ ‰ํ„ฐ๋กœ ์žฌ์งํ–ˆ์œผ๋ฉฐ, 2026๋…„ 5์›” ๋‰ด์š• ์ปฌ๋Ÿผ๋น„์•„ ๋Œ€ํ•™๊ต์—์„œ Modern and Contemporary Art: Critical and Curatorial Studies (๊ทผํ˜„๋Œ€ ๋ฏธ์ˆ : ๋น„ํ‰ ๋ฐ ํ๋ ˆํ† ๋ฆฌ์–ผ ์—ฐ๊ตฌ) ์„์‚ฌ ๊ณผ์ •์„ ์กธ์—…ํ–ˆ์Šต๋‹ˆ๋‹ค.